How to make it in the music business (part 2)

30 04 2013

In the first part of this tutorial I mainly talked about the foundations. It is absolutely vital to have a good basis from Korg_OT_120_Tunerwhich to operate. I cannot stress this enough. I have met a lot of people who don’t take this rule seriously and think they know better. Oftentimes their enthusiasm leads to a quick minor success. They then think they know it all. They think they made the right decision and that all the the other guys, who take their time and follow the advice of the real pros out there, are wasting their time. These people burn like the proverbial moth in the fire of reality!

First of all: by all means, tune your guitar. This sounds basic, but you would be surprised at the number of guitarists who show up with their guitars out of tune. If you are in hurry and don’t have a tuner at hand, you can find a guitar tuner online, which you should put to use to tune your guitar. That is the first thing at every job. No matter if you’re playing a live gig or if you’re booked for a recording session. Professional players always have their guitar tuned spot on. They don’t mess around.


What they know is that even the slightest detuning can mess up a whole recording. With singers it is pretty much standard procedure these days to correct their pitch with Autotune or a similar product. The use of autotune is so widespread that you would probably have a hard time finding a pop recording from the last 10 years, where it isn’t used. Application of a pitch correction software or hardware is rampant. Sometimes Autotune is even used as an effect on its own. You can hear it on many recordings by a whole variety of famous artists. I myself used it a couple of times when mixing an album by an absolute top artist (Cher).

However, Autotune does not work for guitar! You have to play spot on or you will get creamed. Any deviation from standard pitch, however slight, is going to wreak havoc on the final mix. It is a surefire way to Valhalla. The thing is: you often don’t even realize that a guitar is out of tune, until it’s too late. Oftentimes a detuned guitar, when played on its own, sounds perfectly fine if it is tuned to the lowest string.

Also slight detuning of single strings might be inaudible on its own. It sounds ‘good enough’ and so neither the tu_2_mainband members nor the recording engineer notice the ticking time bomb. And then in the final stages, the guitarist might already be on the plane home, it goes Ba-Boom in their faces. The work of days might be in danger and there nothing you can do about it. The guitarist played his riffs and solos…little did he know that he was heading down a steep hill. And Valhalla awaits in the valley. A tuner is the number one tool in the arsenal of every serious pro-player.

Nowadays with the internet being at an all-time-high, many guitarists prefer to use an online guitar tuner for convenience sake, but it doesn’t matter what you use, as long as you use it! Most pros use a good old Boss tuner for example, but there are a huge number of brands to choose from. See what fits you. It is no use to buy a certain tuner just because player X or Y uses it too. Choose the tuner that YOU want and you will be off to a good start.


How to make it in the music business (part 1)

21 04 2013

My father playing the violaI often have to record bands that are just starting out. I like that, because with young bands you can really make an impact on them and guide them in the right directions. Older musicians who are often dazed by years of being exposed to their own bad music are not open to advice. They think they know it all. But they are wrong.

Young aspiring musicians however, are eager to learn. Every little factoid that you drop, sometimes by accident, they suck it up like a dry sponge.

As a stonecold pro I often get asked about how to get a foot in the music business and possibly even make a living doing what you like most. My answer is always: it depends. Sometimes there is no one simple answer you can give to somebody who asks you a question. It’s not a matter of bad intentions. Being a pro is a complex subject matter. I often respond to such question by asking them back: „It depends on whether you want to work behind the scenes or not, have you made up your mind, yet? Are you absolutely sure about your decision? Are you prepared to take the journey and, most importantly, do you think you are up for the task? Think again!“

Finding your place in the music industry…

The real stars of the show are the recording pros without whom there would be no pro recordings. The recording pro is the tip of the iceberg, so to say.

If you picture the music industry as a whole as a ladder or a pyramid. The groupie and roadie are on the very bottom. One step up and you have the various managers and agents and other greaseballs. The next step up are the musicians themselves. But why aren’t they on top of the hill you ask. Well, because at the very top you find the recording engineers. They are the undisputed kings of the whole business. And I’m not talking about any old recording engineer, who can hit a couple of buttons and knows where the on-switch on a SSL console is. I’m not talking about people who just started out with a Beringer console and try to look professional with their cheap gear and lack of understanding of basically everything. What I’m talking about are stonecold recording pros. Guys who paid their dues and worked their way up. Guys whose ingenuity, creativeness and expertise make records sound the way they do.

They are the ones who know what is best for a band or a particular piece of music. They make it happen. You probably have heard of the notion “We’ll fix it in the mix.”, and that’s what I’m talking about, baby!

So you are new to the business…

So let’s assume you want to make it as a musician. You want to be on stage playing, with a frantic crowd cheering you on. You want to live your dream!

The most important part of making it in the music business today is to familarize yourself with the instrument you play. It doesn’t matter which instrument it is really. You have to master the instrument you play. It could be a tuba, a guitar, a keyboard or whatever! The possibilities are virtually endless.

Two_F_tubasFor example, there is no point in trying to become a professional tuba player if you don’t take the time to learn where the various controls are on a tuba (buttons and stuff), how to pick up the instrument, how to hold it and so forth. Basics are key, bro! You have to pay your dues if you want to achieve anything.

Don’t be confused by the fact, that I picked the tuba, I might have picked any other instrument instead. The tuba is just the random instrument for this example. A sort of blank space, where you can fill in the instrument YOU want to play.

Let me give you another example. Let’s say your name is Rudi, you are 12 years old and you want to play guitar. The first step is to learn a couple of beginners guitar chords to get you started. There is hardly a better way to learn the guitar than learning the basic chords for beginners and then go on from there.

Due to the various snakeoil-sites on the internet, a lot of people have been mislead into believing that you can teach yourself how to play.

And many a fool has found out the hard way, that this doesn’t work…just listen to the pathetic solos on many recor ds and it becomes overly clear, that there is something missing in the equation. And that something is skill.

There is no way around learning the fundamentals of the guitar, if you want to achieve total dominance in your field. And that is what you should strive for. If you settle for anything less than that, then – no matter what anyone tells you – you have no chance of winning the big pot. Playing guitar is for winners, which is why it is all the more astounding how many losers are crowding the field. Don’t let that distract you from your goal. You have to stay true to your  vision and make the impossible happen.

Guitar_1Pro Example:

Let’s say you were to play an audition for a spot in a world-famous rock band. You would probably have to fly a couple of hundred miles to even get there (hey, it’s not like there is a famous rock band around every corner, is it?). You would have to book a hotel or maybe somebody would invite you to stay at his place for as long as you are in town. Now, when the great moment finally arrives and you are standing there with your favorite band, you open your guitar case and it turns out you don’t know how to hold your guitar properly and cannot even play basic chords. The job will probably go to someone else – someone who took the time it takes learn the skills from the ground up.

That’s when you realize that you only had this one shot at it. There are no excuses and no second chances. It’s kill or be killed, eat or be eaten – pure survival of the fittest. The music business is a jungle and you are lucky if you make it out alive, buddy.

That’s why it is so important to do just that: pay your dues and learn the craft! You can do the fancy stuff later, don’t worry.